This study investigates the types of citation transformation preferred by both English L1 (native language) writers and Turkish writers who use English as a foreign language (L2). The corpus consists of 34 theses, 17 of which are Turkish writers’ theses in English language including 10 M.A. and 7 PhD theses and 17 English L1 writers’ theses comprised of 10 M.A. and 7 PhD theses. Based on the relevant literature, a rubric was prepared by the researchers in order to analyse the (...) theses by means of qualitative content analysis. The findings revealed that three forms of content integration consisting of direct quotation, patchwriting and critical evaluation were markedly different in English L1 and Turkish writers’ theses. Turkish L1 writers’ overuse of direct quotation and patchwriting attracted attention compared to English L1 writers. (shrink)

Süsleme teknikleri her sanat dalında olduğu gibi cilt sanatında da zaman içerisinde değişim göstermiştir. 18. yüzyıl klâsik üslûpta ciltlerinin yapılmaya devam edildiği ancak aynı zamanda yeni tezyînat tekniklerinin denendiği bir dönemdir. Bu tekniklerden bir olan yekşah, cilt üzerine altınla işlenen motiflerin üzerine ucu düz veya oval olan demir aletin kakılması/bastırılması şeklinde uygulanan bir tezyînat tekniğidir. Bu süsleme tekniği, adını uygulamada kullanılan metal aletten almaktadır. Yekşah demiri olarak isimlendirilen bu alet, ortalama 15-16 cm uzunluğunda olup ağzı düz veya oval bir el (...) aletidir. Yekşah süsleme tekniği, yazma ciltler üzerine uygulanmaktadır. Yazma cilt, desenin fırça yardımıyla zermürekkep kullanılarak deri üzerine işlenmesi anlamına gelmektedir. Desenin yazma tekniğiyle (fırçayla) deriye nakşedilmesinin ardından yekşah demiriyle işlenmesi aşamasına geçilmektedir. Motiflerin üzerine, gidiş yönü esas alınarak yekşah demiriyle taramalar yapılmakta, desen üzerinden çizgiler halinde geçilmektedir. Deri bu tarama esnasında kısmen de çukurlaşmaktadır. Yekşah tezyînat tekniği, Türk cilt sanatına 17. yüzyıl sonu ile 18. yüzyıl başı itibariyle katılmıştır. 19. yüzyılda da örnekleri görülmeye devam edilmiştir. Ancak en yoğun kullanıldığı dönem 18. yüzyıldır. Yekşah tezyînatın çoğunlukla saray mücellitleri tarafından ve özellikle değeri yüksek eserlerin ciltlerinde tatbik edildiği bilinmektedir. Türk cilt sanatı literatüründe yayınlanmış ve müze ve kütüphanelerde tarafımızca tespit edilen yekşah cilt örneklerinin incelenmesi neticesinde, Türk ciltlerinde yekşah tezyînat tekniğinin 3 farklı desen üzerine tatbik edildiği tespit edilmiştir. Bunlar; rûmî, zerbahar ve barok-rokoko desenleridir. Rûmî desenli yekşah ciltlerde cilt kapağının tüm bölümlerinde yekşah tekniğinin uygulandığı görülmektedir. Ancak en yoğun ve çeşitli olarak şemselerde rastlanmaktadır. Bunun nedeni, yekşah tezyînatın görülmeye başlandığı 18. yüzyıl itibariyle cilt kapaklarında köşebentlere sıklıkla yer verilmemesi ve bezeme yoğunluğunun şemselerde görülmesi olabilir. Rûmî desenli yekşah ciltlerde şemselerin üç türü tespit edilmiştir. Bunlar; klâsik oval/beyzî formda dilimli şemse, dikdörtgen formda şemse ve dilimli dairevî formdaki şemsedir. Rûmî desenli yekşah ciltlerde desenin altınlarının daha net görülebilmesi amacıyla şemse ve salbek zemini sıklıkla bordo renkle boyanmıştır. Yekşah tekniğinin uygulandığı bir diğer desen türü ise zerbahardır. Zerbahar desen, 18. yüzyılın sonunda ve özellikle 19. yüzyılda görülen bir cilt tezyînat türü olup ciltlerin genellikle tüm yüzeyini kaplayacak şekilde uygulanmıştır. 18. yüzyıl itibariyle Türk ciltlerinde görülen realist üslûptaki çiçek veya Batı etkisindeki barok-rokoko motifleri üzerine de yekşah uygulaması yapıldığı belirlenmiştir. Türk Rokokosu, C ve S kıvrımlı motiflerle yüzeyin tamamen doldurularak süslendiği gösterişli bir bezeme üslûbudur. Kavisli ve yuvarlak şekillerle birlikte yaprak, çiçek motifleri ve çiçek demetleri bu bezeme üslûbunda yer almaktadır. Dayanıklılık bakımından zayıf olmasına rağmen yekşah tekniğin 18. yüzyıl ciltlerinde sıklıkla tercih edilmesinde, cildin sanat değerini arttırma çabası vardır. Bu teknik sayesinde, yazma olarak uygulanmış desen daha cazip hale getirilmiştir. Bu da cildin sanat değerini yükseltmiştir. (shrink)

Beylikler devri Türk-İslam ciltleri hem tezyînatları hem de üzerlerindeki dini içerikli ibareler, dua ve mücellid mühürleri vasıtasıyla cilt sanatı araştırmacılarının yayınlarına konu olmuştur. Ancak ciltlerdeki dua ifadelerini müstakil olarak konu edinen yayın sayısı oldukça azdır. Türk-İslam ciltlerinin gerek kapak yüzeyinde gerekse kapak içlerinde dua içerikli ibarelere rastlamak mümkündür. Makalenin konusu, Beylikler devrinde üretilen Türk-İslam ciltlerinin deri kaplı kapak içlerinde yer alan el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) yazısı, bu yazının yer aldığı desen kompozisyonu ve yazının analizidir. Makaledeki amaç, şimdiye kadar cilt (...) literatüründe müstakil olarak ele alınmamış el-İzzü’d-Dâim ve’l-İkbâl yazılı cilt kapak içi tezyînatı hakkında tespit edilebilen örneklerin detaylı desen ve yazı analizleriyle bilimsel birikim oluşturabilmek ve aynı ya da benzer ibarenin yer aldığı diğer İslam sanat eserlerini tespit ederek bu dua ibaresinin ciltlerdeki kullanım amacını ve kullanıldığı dönemleri belirlemeye çalışmaktır. Cilt sanatı literatürü ve yazma eser kütüphanelerinde yaptığımız araştırmalar neticesinde, Beylikler dönemine ait ciltlerin altı tanesinin kapak içinde el-İzzü’d-Dâim ve’l-İkbâl ibaresi tespit edilmiştir. Bu tespitlerin sayısı, yapılacak yeni araştırmalarla artabilecektir. Tespit edilen yazma eserler; Amasya YEK: 217, İnebey YEK Hüseyin Çelebi: 481 ve Ulu Cami: 318, Kastamonu YEK: 2856 ve 3435 ve Süleymaniye YEK Fatih: 5004’tür. Ciltlerin kapak, sertâb ve mikleb yüzeylerindeki tezyînatları, Beylikler dönemi cilt sanatı üslûbunu yansıtan süslemelerdir. Ciltlerin teknik ve tezyînatları, -mevcut olanların- istinsâh kayıtları incelendiğinde üç örneğin (Amasya YEK: 217, Kastamonu YEK: 2856 ve 3435) 14. yüzyıl tarihli olduğu ya da tarihlendirildiği, üç örneğin (İnebey YEK Hüseyin Çelebi: 481 ve Ulu Cami: 318, Süleymaniye YEK Fatih: 5004) ise 15. yüzyıl tarihli olduğu ya da tarihlendirildiği görülmektedir. Ciltlerin kapak içi deseni, bitkisel ve rûmî motiflerle bezeli tam zemin geometrik bir tasarıma sahiptir. Geometrik desenin içerisindeki altıgen paftalarda el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) yazısı yer almaktadır. İbarenin, cilt kapak içlerine tek satırda (İnebey YEK Ulu Cami: 318, Kastamonu YEK: 3435) ve çift satırda -½ oranında ters simetrik- (Amasya YEK: 217, İnebey YEK Hüseyin Çelebi: 481, Kastamonu YEK: 2856, Süleymaniye YEK Fatih: 5004) olmak üzere iki türde yazıldığı tespit edilmiştir. Her iki tasarımda da sülüs yazı çeşidi tercih edilmiştir. İnebey YEK Hüseyin Çelebi: 481 envanter numaralı 15. yüzyıla ait cildin kapak içinde ise diğer örneklerden farklı olarak yazı paftalarının bazılarında mücellit kitabesi bulunmaktadır. Kitabede, “Amel-i Mücellid Haydar b. Turbegî” yazılıdır. Kapak içi tezyînatının aynı olması nedeniyle, Kastamonu YEK: 2856 ve Süleymaniye YEK Fatih: 5004 envanter numaralı ciltlerin de Haydar b. Turbegî adlı mücellidin eseri olma ihtimali vardır. Ciltlerin kapak içlerinin tümü, çeşitli tonlarda kahverengi sahtiyanla kaplıdır. Derilerin gözenek türü bunu ispat eder niteliktedir. Süsleme tekniği, tüm kapak içlerinde soğuk baskı tekniğidir. Bu teknik adını, uygulanması esnasında altının kullanılmamasından almaktadır. Soğuk baskı tekniğinde, desenin deriye genellikle sıcak pres uygulaması yapılarak aktarıldığı bilinmektedir. Uygulamada yüzeyinde motif veya desenin yer aldığı kalıp, çivi ve diğer ciltçilik aletleri kullanılmaktadır. Çalışma kapsamındaki ciltlerde kapak içi deseninin kalıpla uygulandığı, deri üzerindeki desenin kesintili çizgilerden anlaşılmaktadır. Kapak içi tezyînâtını oluşturan desenin simetrik bir parçası, kalıba işlenmiş ve kalıp deri üzerine simetrik bir şekilde, boşluk bırakılmadan basılmıştır. Yapılan incelemelerden anlaşıldığı kadarıyla kalıbın basıldığı deri, kapak içine yapıştırıldıktan sonra kapak kenarlarından cilt ebadına uygun şekilde kesilmiş olmalıdır. Kalıbın bazı örneklerde hatalı basıldığı da görülmektedir. Bu da desenin devamlılığını kısmen bozmuştur. Soğuk baskı tekniğinde, desenin deriye genellikle sıcak pres uygulaması yapılarak aktarıldığı bilinmektedir. Desenin deri renginden daha açık olması, uygulamanın ısıyla yapılmış olduğunu doğrulamaktadır. Ciltlerin kapak yüzeylerinin kullanıma bağlı olarak yıprandığı ve bu nedenle desenlerin deforme olduğu tespit edilmiştir. Ancak kapak içleri böyle bir yıpranmaya maruz kalmadıkları için korunarak günümüze ulaşmıştır. el-İzzü’d-Dâim ve’l-İkbâl (العزّ الدّائم والإقبال) ibaresi Arapça bir terkip olup “sonsuz güç ve yüksek mevki” anlamına gelmektedir. Terkip; güç, kudret ve ihtişam anlamına gelen العزّ ve ferah, parlak ve yüksek mevki anlamındaki الإقبال kelimelerinden oluşmaktadır. İbare dua, temenni vb. maksatlarla kullanılmış olmalıdır. Çalışma kapsamındaki ciltler ve diğer İslam sanatı örneklerinden anlaşıldığı kadarıyla İslam sanat eserleri üzerinde el-İzzü’d-Dâim ve’l-İkbâl ibaresine 12. yüzyıldan 15. yüzyıla kadar geniş bir dönemde yer verilmiştir. (shrink)

William L. Rowe poses a dilemma between God’s freedom and essential moral goodness by arguing that God cannot satisfy the arguably accepted condition for libertarian freedom, namely, ability to do otherwise. Accordingly, if God does a morally good action A freely, then there is at least a possible world in which God refrains from doing A and thereby does the morally wrong action. And if God does a morally wrong action in one of the possible worlds, he ceases to be (...) essentially morally perfect. I will argue that Rowe’s conclusion is based on a specific possible world semantics, and we might avoid Rowe’s conclusion with an alternative understanding of modality. In doing so, I will examine the conception of modality proposed by al-Ghaza ̄l ̄ı in which the possibility of a state of affairs does not entail its actuality in at least one possible world. (shrink)

This article deals with the Katta Langar manuscript, which is known as one of the earliest Qur'ān copies attributed to III. Caliph Uthman. The study consists of an introduction, a conclusion and two sections. The introduction section begins with the information that the Katta Langar Mushaf which is called by this name relative to the Katta Langar village of Uzbekistan, is in the library of the Tashkent Uzbekistan Muslims Administration. Only ninety-seven pages of the mushaf, which was lost for a (...) period, have survived. Since twelve of these leaves appear again in Katta Langar, they are meant as the Katta Langar manuscripts. Therefore, this article not only aims to examine in detail all the extant leaves of the mushaf but also the twelve leaves, which are known today as the Katta Langar manuscripts. Although the research done so far has made it clear that this mushaf is not one of the copies of Uthman, the mushaf has been the subject of many studies. The first of the studies on the Katta Langar Mushaf was published by M.E. Masson, while the most detailed work belongs to Efim Rezvan. Existing studies on the mushaf are methodologically either a publication or a catalogue study. In this study, the Katta Langar copy was compared with the sources of the mushaf literature and discussed more comprehensively. (shrink)

Sadece tarihi ilgilendiriyor gibi görünen felsefenin başlangıcı problemi, şüphesiz tarihsel bir meseledir, ama aynı zamanda felsefenin kendisine de ait bir konudur, çünkü bu probleme ilişkin değerlendirmeler zorunlu olarak felsefenin doğasını açığa vurmaktadır. Felsefeyi Miletli Thales’in başlattığına ve ilk filozof olduğuna dair yerleşik bir gelenek söz konusudur; bununla birlikte, felsefe kendine özgü belirlenimler kazanıp kendini belirlemesini sağlayan belli bir gelişme sürecinin ürünüdür ve bu bakımdan birçok filozofun emeğine gerek duymuştur. Felsefe tarihinin ilk döneminde Grek filozoflar yeni başlangıçlar yapmışlar ve böylelikle felsefenin (...) yeni yönlerinin açığa çıkmasına hizmet etmişlerdir. Bu çalışmada, felsefenin sadece bir kurucusu değil kurucuları olduğunu vurgulamak üzere Thales’ten Aristoteles’e dek Grek filozofların felsefenin oluşumuna sağladıkları katkı irdelenecektir. (shrink)

In this study, the philosophical and modern problems that arise in the fields of ontology and epistemology within the framework of Descartes' method are studied and investigated. There is an extensive literature on Cartesian philosophy. Homo sapiens refers to the type of people who can think and can collaborate and collaborate with many members. Homo cogitans means the kind of person who can think again but thinking here is not just thinking. We are talking about a species that thinks how (...) it thinks and prioritizes its own thoughts and good sense. Our aim here is to study the journey of a man from Homo sapiens to homo cogitans. We investigated and analyzed the answers to many questions such as what the effects of Cartesian philosophy are today, how Descartes' methodical suspicion led us to individualism. (shrink)

Based on a question posed by global philosophy of religion project regarding the absence of literal attribution of omnibenevolence to God in the Qur’ān, this paper aims to examine how to understand perfect goodness in Islam. I will first discuss the concept of perfect goodness and suggest that perfect goodness is not an independent attribute on its own and it is predicated on other moral attributes of God without which the concept of perfect goodness could hardly be understood. I will (...) examine perfect goodness by a specific emphasis on the attribute of justice as one of the conditions to be satisfied by a perfectly morally good being. In so doing, I will appeal to the distinctions made among great-making properties by Daniel Hill, and Al-Ghazālī’s definition of justice by applying them to God’s moral attributes. I will argue that justice has a crucial role in maximality-optimality balance between great-making properties and it seems quite difficult, if not impossible, to conceive of goodness without justice. Having said that, I will claim that the conceptual frame I suggest sheds light on why omnibenevolence is not literally attributed to God in the Qur’ān. Then, I will briefly show how the divine attributes mentioned in the Qur’ān and the discussions about divine names and attributes in the Islamic tradition supports the understanding of perfect goodness I defend. Consequently, I will try to show that far from indicating that the Islamic concept of God doesn’t involve perfect goodness, the Qur’ān establishes the proper meaning of perfect goodness by focusing on its constitutive attributes, and thus provides us with a sound conception of it. (shrink)

This study focuses on the narration, "Whoever makes a tafsīr the Qur'an according to his own opinion, let him prepare his place in Hell," which Abū Manṣūr al-Māturīdī (d. 333/944) considered as a basis while defining the terms tafsīr and tawīl in the introduction of his work titled "Ta'wilatu'l-Qur'an." Various scholarly studies have examined al-Māturīdī's distinction between the terms tafsīr and tawīl from both theoretical and practical perspectives. However, it has not been examined in terms of the narration, authenticity status, (...) and its impact on subsequent works when explaining the difference between these words, while making a choice among the various wordings and containing the verb "فَسَّر". In this study, initially, an investigation of how the terms tafsīr and tawīl were used in dictionaries, ḥadīth literature, and exegesis works before al-Māturīdī’s time a diachronic reading was conducted to comprehend the intellectual background that led al-Māturīdī to distinguish between them. Explanations and narrations related to these words found in dictionaries and exegesis works after al-Māturīdī were excluded from the scope of the study. Subsequently, other narration variants distinct from the one al-Māturīdī utilized in his argumentation, which prohibited making interpretations about the Qur'an through personal opinion and which differed from al-Māturīdī’s preferred variant, were examined. The study also presents the approach of early Islamic scholars to this issue. Finally, al-Māturīdī's interpretation, defined as "the only and definitive explanation made with Allah as a witness regarding the verses," and his preference for the variant of the narration, "Whoever makes a tafsīr the Qur'an according to his own opinion, let him prepare his place in Hell," are analyzed in terms of their authenticity, their impact on Islamic sciences, and the possible reasons behind al-Māturīdī's choice of this particular variant. (shrink)

Göstergenin bilimsel olarak incelenme sürecinde etkin rol oynayan zihinsel arka plan farklılığı, temel unsurlarının şekil ve formlarında görülen değişiklikler başta olmak üzere, gösterme eyleminin işlevi ve gayesine ilişkin birtakım görüş ayrılıklarına zemin hazırlar. Nitekim göstergebilimin kurucuları Ferdinand de Saussure ve C. S. Peirce, göstergeyi birbirinden farklı iki bağlamda ele alır. Saussure göstergebilimin, dilbilimi de içine alan bir bilim dalı olarak kurulması gerekliliğine değinmekle yetinirken Peirce, onu, mantık ve anlam-yorum çalışmalarına hız kazandırmak amacı ile bilimsel zemine taşır. Peirce’ün göstergeye bakışı, yalnızca (...) işaret olgusuna dair geliştirdiği bir teori olarak değil; ayrıca bir anlam ve bilgi teorisi olarak da incelenmelidir. Bu nedenle makalenin ilk bölümünde Peirce’ün mantık alanındaki düşüncelerinin alt yapısını oluşturan varlık kategorilerine yer verilecektir. Ardından onun pragmatisizm düşüncesi ve klasik mantık eleştirisi üzerinden göstergeye ve işaret ettiği anlama bakışı değerlendirilecektir. Üçüncü bölümde ise gösterge teorisi, detaylı olarak incelenecek; Peirce’ün felsefî pozisyonun semiyozis terimleri üzerindeki belirleyici etkisine değinilecektir. The difference in mental background, which plays an active role in the scientific analysis of the sign, paves the way for some disagreements regarding the function and purpose of the act of signifying, especially the changes in the shapes and forms of its basic elements. As a matter of fact, the founders of semiotics, Ferdinand de Saussure and C. S. Peirce, consider the sign in two different contexts. While Saussure is content to mention the necessity of establishing semiotics as a branch of science that also includes linguistics, Peirce carries it to the scientific ground with the aim of accelerating the logic and meaning-interpretation studies. Peirce, who developed his own categories of entities, deals with them in three stages. These; firstness, in which the entity is a pure quality before it exists in the world, secondness, in other words, the form in which this quality is embodied outside; and the thirdness, in other words, the state in question, which has gained the ability to serve as a representation in order to appeal to a mind and be interpreted. In this last category, being becomes an interpretable sign that points to an object for a certain meaning. The point where the categories of being and Peirce's theory of sign meet is that the types of sign, object and interpretant are shaped according to these three categories. (shrink)

Dalālat al-lafẓī al-waḍʿī, is divided into three parts: mutābaqat, taẓam-mun and iltizām. Although there is an agreement among the scholars regar-ding the nature of the mutābaqat, which shows the conformity of the word to its meaning, the indication of taẓammun and iltizām includes certain controversial issues. Among these, some issues related to iltizām, which plays a central role in method and rhetoric, were discussed. Al-Bābertī who wrote al-şurūḥ [commentaries] on the main works that greatly influenced the ones written after him (...) in these two sciences, expressed his opinion on the controversial issues; especially on the issues related to iltizām. These are about whether a mental necessity (al-luzūm al-dhihnī) condition is sought for the rationality and realization of the obligatory indication. In this context, at the beginning of the article, firstly, a general information about dalālat will be given, and in the first part, how the dalālat is handled in works of Bābertī will be explained. Then, in the second part, controversial issues related to dalālat will be discussed; views of Bābertī on these will be revealed after the discussions of scholars are included, especially within the framework of the nature of iltizām. (shrink)

Māzarī al-Tamimī (d. 536/1141) was one of the last jurists who lived in North Africa before the fall of al-Andalus. He is the author of Izāḥ al-Mahsūl, which is considered to be an important turning point in the formation of the uṣūl al-fiqh structure of Mālikī jurisprudence. The lack of studies on the uṣūl al-fiqh of al-Māzarī, who had considerable knowledge in the fields of ḥadīth, fiqh, theology, medicine, and fatwā, made this study necessary. This study examines al-Māzarī's understanding of (...) uṣūl through his work Izāḥ al-Mahsūl in the field of uṣūl al-fiqh. Izāḥ al-Mahsūl is al-Māzarī's commentary on the Shāfiʿī scholar al-Juwaynī's (d. 478/1085) al-Burhan fi uṣūl al-fiqh on uṣūl al-fiqh. The commentary on al-Juwaynī's al-Burhān is one of the fundamental texts of Shāfiʿī usūl al-fiqh. In his commentary on this important work, al-Māzarī followed his teacher al-Juwaynī's subject classification and systematization and applied the method of the mutakallim in writing uṣūl al-fiqh. Although it bears similarities with his teacher's work, this commentary, even in its incomplete form, is an independent work with the opinions and evaluations it includes. Al-Māzarī did not hesitate to oppose his teacher in the work and put forward his own method of ijtihād. Izāḥ al-Mahsūl, which is the subject of this study, is an important example of the influence of Shāfiʿī uṣūl al-fiqh on Mālikī uṣūl al-fiqh in terms of method and content. With this work, the Mālikī uṣūl al-fiqh literature and texts were modelled after Izāḥ al-Mahsūl. This work, which was a source for post-Māzarī Mālikī jurists, is also the subject of this study because it contains the traces of the Shāfiʿī-Mālikī interaction in Islamic jurisprudence. Within the scope of the study, the principles that stand out in al-Māzari's understanding of uṣūl al-fiqh in his work Izāḥ al-Mahsūl were tried to be identified. In this way, it is aimed to reveal on which issues the Mālikī uṣūl al-fiqh is based. It is impossible for al-Māzarī's understanding of uṣūl al-fiqh cannot to be influenced by the intellectual and political environment in which he grew up. With this in mind, we have tried to briefly touch upon al-Māzarī's life, his teachers, his works, and the intellectual and political atmosphere of the Maghreb region during his lifetime. We have tried to understand the impact of all the details of his life on al-Māzarī's scholarly life and his uṣūlism in particular. In addition, determining the prominent elements of al-Māzarī's understanding of uṣūl is also important in terms of understanding the jurisprudential structure in the Maghreb region and illuminating the region in terms of Islamic legal history. This study aims to present al-Māzarī's understanding of uṣūl in terms of its basic features. Thus, it aims to shed light on al-Māzarī's contribution to the Mālikī understanding of uṣūl al-fiqh and its literature. The document analysis method, one of the qualitative research methods, was used in the study. In this context, the textual analysis was applied by comparing al-Māzarī's views with those of his teacher al-Juwaynī, by whom he was influenced. (shrink)

The aim of the present study is to evaluate Sonja Foss’s Rhetorical Schema for the Evaluation of Visual Imagery as well as reflect upon several points for further consideration; and finally suggest a renewed triadic approach as a method for analyzing art-relevant visual imagery. The triadic approach to be discussed assumes three correlative layers: the intellectual knowledge, function of the artistic content as the visual representational component, and aesthetics as modality. This study will include the analysis of a print advertisement (...) that used an artwork as its content of visual rhetoric, and this will inform further discussions on the proposed approach. The contribution of this renewed triadic approached to the field of visual rhetoric has the advantage of expanding and possibly improving rhetorical analysis methods of visual imagery. (shrink)

Ikhtisâr refers to the process of compilation a work by summarizing short and concise information or a large volume of work through abbreviation. It is intended to facilitate reading, learning and memorization, or to eliminate difficult parts in a book written in the form of Ikhtisâr. The compilation of concise works that fulfilled their purpose has become widespread over time and transformed into a tradition and also concise works have been compiled in fiqh as in other disciplines of sciences. In (...) particular, the work entitled Ghayâ fi’l-Ikhtisâr by Abu Shudjâ al-Isfahânî (d. after 500/1107), which is one of the concise works written in the Shafi'î madhhab, constitutes an important part of this tradition. In this study, primarily, the concise works written in the field of usûl/ancestor and furû/descendant in the Shafi’î madhhab were identified and given in chronological order, right after that, Ghayâ fi’l-Ikhtisâr and Ahmad bin Omar al-Shatirî’s (d. 1360/1941) work entitled Al-Yaqut al-Nafis were examined in terms of the ikhtisâr method. The comparative method was employed in order to determine the common and different aspects of these two works, which are among the basic sources of the Shafi'î madhhab, in terms of content and method. In this context, primarily, basic information regarding Ghayâ fi’l-Ikhtisâr and Al-Yaqut al-Nafis was presented, and right after that the classificcations and information in both works were compared and evaluated in terms of style. In this respect, it was determined that some of the topics in one of the aforementioned works are not included in the other work, and that there are certain differences between them in terms of the arrangement of the topics and the way they are explained. Based on this, in Ghayâ fi’l-Ikhtisâr the topics are dealt with in a brief manner and jurisprudential rulings are presented without giving much space to their evidences. In Al-Yaqut al-Nafis, on the other hand, each topic is dealt with in a detailed manner, and the elements, conditions and provisions related to the topics are mentioned as sub-headings. In particular, issues related to fiqh other than worship are explained with examples. Nevertheless, as in Ghayâ fi’l-Ikhtisâr the evidences of fiqh provisions are not included much. The topics in both works are arranged according to the Shafi'î fiqh methodology. (shrink)

Tahâvî (v. 321/ 933), hicrî üçüncü asrın sonları ile dördüncü asrın başlarında yaşamış Hanefî fakihidir. Tahâvî’nin daha çok muhaddis olarak tanınmasına rağmen hadis ve fıkha derin vukufiyeti, her iki alana da temas eden hadis-sahâbî kavlî münasebetini onun üzerinden incelemeyi daha anlamlı kılmaktadır. Müctehid fakihlerin hüküm istinbâtında başvurduğu sahâbî kavlî, Hz. Peygamber’e dayanması bakımından semâ/tevkif ihtimali bulunan bir delildir. Bu sebeple sahâbî kavlini sünnet birlikte değerlendirmenin lüzumu ortaya çıkmaktadır. Ayrıca Tahâvî’nin sahâbî kavli ile sünnet arasında net bir ayırım yapmaması, Hanefî usûlünün (...) teşekkül süreci açısından önemlidir. Tahâvî, ictihad usûlü anlayışında sahâbî kavline deliller hiyerarşisinde Kur’an, sünnet ve icmâdan sonra yer vermektedir. Eserlerindeki tercihleri dikkate alındığında Tahâvî, sahâbî kavlini tevkife hamlettiği yerlerde sünnet olarak değerlendirmektedir. Hatta sahâbî kavli ve uygulamasının icmâa dönüştüğü durumda sünneti neshedebilecek mertebede gördüğü anlaşılmaktadır. Tahâvî ictihadî olan, re’y ve te’vil ifade eden sahâbî kavlini ise mutlak delil almayıp bu durumdaki sahâbî kavli karşısında kıyasa gitmektedir. Tahâvî’nin sünnete ve sahâbî kavline bakışı birlikte değerlendirildiğinde dönemin hadis anlayışı gereği, sünnetin çerçevesini sahâbe ve tâbiûn kavillerini dahil ederek geniş kapsamda ele aldığı anlaşılmaktadır. Erken dönem Hanefî usûlünde sahâbî kavli hakkında Tahâvî’nin görüşlerinin incelendiği araştırmada metin incelemesi ve analizi yöntemi kullanılmış; Tahâvî’ye ait eserler ile erken dönem Hanefî usûl-i fıkıh eserleri mukâyeseli olarak ele alınmıştır. (shrink)

A genealogy of the relationship between Islam and knowledge focusing on the Muslim West and, in particular, Algeria explains the current chaos within Muslim societies. The West, on its side, has difficulties understanding a cultural tradition which differs from its own. Islam did develop an aptitude for knowledge that put into play ‘different intellectual modalities, among which were dialectic argument, intuition and controversy’. However, ‘the accession to knowledge is shown by assent’. A long tradition of debate and controversy drew to (...) a close and was abandoned in favour of the exercise of authoritative and absolute power. Intellectual life in the region suffered notably from the successive departures of the elite, at the end of the Ottoman Empire, at the onset of the colonial period and upon independence. Colonialism founded a new system born of different traditions and entailed the breaking up of traditional scholastic institutions. After Independence, fewer and fewer interlocutors were capable of undertaking a reasoned critique of the West. ‘Mistrust with regard to the West’ translated into a ‘refusal even of controversy’. It is a vicious circle that can be broken only through a minimum of democracy. (shrink)

In this study, we will analyze the three major theories concerning the relationship between God and the universe: origination (ḥudūth), emanation (ṣudūr), manifestation (ẓuhūr or tajallī). The theory of origination was developed in the history of Kalam. The majority of the theologians (Mutakallimūn) aimed to offer a concept of God and His relation to the universe based on the origination theory. On the other hand, the Muslim philosophers, mostly Ibn Sīnā, suggested the theory of emanation to provide a causal explanation (...) of the universe as well as God’s relation to it. The theory of manifestation emerged in the philosophical Sufism. Ibn ‘Arabī posited the concept of manifestation as an explanation of God’s connection with the universe. Based on their cosmological views, each field also aimed to offer their proof of God’s existence. The theologians argued that the universe was temporally originated (muḥdath) and therefore necessitates an originator (muḥdith) upon their premise that everything originated needs an originator. On the other hand, the philosophers attempted to address the premise of "from one comes only one" explaining how the multiplicity comes from the Absolute One (God). Considering God as the ultimate source of existence, they proposed a hierarchical order in the universe and explained it through their theory of emanation. The Sufi thinkers explained the relationship with the theory of manifestation, which is also known as the appearance of the Absolute Being or the revealing of the Absolute Being. In this study, we will primarily focus on these three theories and examine their differences and similarities as well as their significance in the formation of the cosmic existence in the Islamic thought. (shrink)

The issue of morality is a universal phenomenon that is spoken and discussed above religions. There are moral values that every society accepts depending on their sociological and psychological conditions. From the first moment Islam came to the Arab society, it began to organize and renew the moral values of the society. As a model of the regulated and renewed moral values, The Prophet is shown. In this context, the moral consequences of the confusion in the Islamic society after the (...) death of the Prophet and the criticisms of the sufis who emerged as a reaction to the corruption in the society occur. Although the fields of fiqh and kalam discuss different issues in their formation processes, a particular section on morality does not appear to exist in the fields of fiqh and kalam. The sufis criticize the neglection of the field of morality in Islamic disciplines, and highlight the need of elimination of this deficiency. Sufis who lived in the early period claim that the solution that would fill this gap and help Islamic thought reach perfection is sufism. In order to justify this claim, they produce works attempting to prove that sufism is an independent discipline like kalam and fiqh. In this process, sufism transforms from a practical and ascetic understanding into a discipline that produces knowledge like other religious disciplines. (shrink)

Ancient Greek culture and its crown jewel philosophy grew out of a distinct realization that life is precarious. In order not to perish, humankind needs art {poiesis). With art human beings can live well and rise above the forces of destruction. Art in all of its forms proceeds by receiving guidance from logos, the principle of metron. Mythos is logos enacted. Through logos as art human beings can create value and be a value unto themselves.

1. Empirisme positivisme : deux philosophes anthropologiques des limites et du devenir -- L'homme des origines -- Fétichisme et dysharmonie avec le monde -- La tension instinctive au connaître -- Contrer la mort : action et réussite : l'homme chasseur et l'homme prévoyant -- Histoire : " probabilitaire " ou science de l'histoire -- Périodisation et quête de la causalité -- Promesse ou loi -- Les discontinuités de l'histoire -- La rupture du loyalisme : partialité et universalité -- Comte ou (...) la double rupture : épistémologique et Historique -- 2. Certitudes et pensée causale -- Un ordre causal déstabilisé et ses fondements -- Malebranche et la ruine de la causalité naturelle -- Attraction newtonienne et connexions causales -- Causalité : certitudes et fictions -- Similitude, succession, inférence et loi -- 3. Passions, morale et raison -- La dynamique des passions -- De l'orgueil et de l'humilité -- Physiologie, penchants et sentiments -- Raison, passion et obligation morale -- Affectivité, individualité, sociabilité et synthèse -- 4. Société, politique et religion -- Politique, lois et moeurs -- Politique est-elle une science ? -- Religion et politique -- Le positivisme n'est pas un emnirisme. (shrink)

Il est indéniable que Comte a été influencé par Hume depuis sa jeunesse, l'influence de Comte sur Hume se manifeste de façon claire dans un article de 1819 intitulé "Séparation générale entre les opinions et les désirs" qui se trouve dans les Ecrits de jeunesse (1819-1828), et nous voyons aussi que Hume ressurgit à la fin du Système de politique positive (1851-1854), texte dans lequel Auguste Comte affirme qu'il appartient à l'école de Hume. Nous avons deux philosophies anthropologiques qui établissent (...) les fondements d'une vie sociale et d'une théorie morale ancrées dans la nature humaine, dans les désirs et les instincts incontrôlés et qui exigent une régulation par la médiation de la sociabilité et du temps. La question des passions, des penchants et des sentiments se dégage d'une problématique classique celle qui l'intégrait au sein d'un subjectivisme rationaliste, qui soumettait le corps à l'emprise de l'âme. (shrink)

Stark variations exist in U.S. immigration enforcement. These variations have persisted even during the COVID-19 pandemic, when special measures that should have constrained variations were in place. This Article argues that variations in discretionary enforcement decisions based on resistance to national policies, bias, illegal tactics, or arbitrariness are unjust and should be curtailed. The Article first distinguishes between transparent sources of variation in immigration law and variations that stem from non-transparent, discretionary determinations. Within the category of discretionary determinations, the Article (...) argues that there are just and unjust variations. It contends that unjust variations raise serious constitutional concerns, weaken preemption doctrine, and require us to reconceptualize the immigration federalism debate to account for cooperative and uncooperative behavior within the federal government itself. Finally, the Article offers solutions to help limit unjust variations. (shrink)

The paper explores the impact of the corona virus disease-19 pandemic on the Saudi higher education system. The research focuses on the relationship between digital learning in COVID-19 time, life satisfaction, and stress among female students. The study discusses measures, practices, defense mechanisms, and coping strategies to face challenges. Using an online survey based on psychological effects and its role in defense mechanisms and coping strategies, findings show that digital learning provides flexibility in terms of time and offers resources at (...) a lower cost compared to traditional learning. In addition, results show that the coping strategy perception is higher in obtaining a good score and succeeding than to get over the pandemic and recovering from the illness itself. Finally, results confirm that a positive attitude influences positively life satisfaction. (shrink)

This study aims to examine how becoming like God is handled in Avicenna’s philosophy. Basically the article is based on the need to interpret that Plato and Aristotle and Plotinus are philosophers that complement each other, not diverge, in terms of the topic of becoming like God. First and foremost I present Avicenna’s arguments using the concepts of becoming like god and becoming like the First as a springboard. Moreover, based on the context in which Avicenna uses the concept of (...) manifestation, I examine how the idea of unification with God is transformed into an intellectual ideal. In the last section, I present the connection between the journey of becoming a perfected human and becoming like god which was established in the Metaphysics volume of The Book of Healing as a section of the matter which is related to ethics. (shrink)